According to the compilation of the gold and bronze Buddha statues edited by Mr. Li Wei, the "Han and Tibetan blending - the collection of gold and bronze Buddha statues" has finally come to an end and is about to be released. This Atlas of Guangqian Yuhou is a wonderful Buddhist temple that is deeply rooted in the fertile soil of the Chinese nation. This wonderful bloom vividly demonstrates the infinite charm of the Buddhist art of creation, and vividly expresses the mysterious atmosphere of the Buddhist art. This is another historical testimony of the roots of the Chinese nation's culture. It is an era symbol of the spread of Buddhist culture, and it is the true record of Mr. Li Wei's protection of Buddha statues. "The success of big music is not a matter of one." In order to edit this collection of "The Combination of Chinese and Tibetan - Jin Bronze Buddha Collection", the academic circles are united and dedicated. Mr. Ji Yulin, a scholar of the academic circle, Mr. Feng Qiyong, the master of Hongxue, Mr. Wang Wei, a famous scholar of Tibetan culture, Mr. Tan Xiyong, a Hong Kong cultural celebrity and a master of Tibetan Buddhist Han, is full of enthusiasm for the editors of the Atlas and is highly eager to accept the consultants of the Atlas. He also pours his mind into the inscriptions, poems, and prefaces of the Atlas, enhances the historical sense of the Atlas, and enriches the cultural connotation of the Atlas. We express our lofty respect to the predecessors for their ambitions and for the promotion of national culture. Mr. Lu Zhangshen, National Museum and its curator, Mr. Zheng Xinyi, the President of the Palace Museum and its dean, the China Tibetology Research Center and its Director General, Mr. Raba Pinso, warmly supported the Atlas Publishing and expressed their heartfelt thanks! Mr. Bu Liansheng, Sun Guozhen, Wang Jiapeng, etc., a national-level Buddha statue identification expert, studied and identified the Buddha statues collected by Mr. Li Wei with his rigorous academic attitude. This time, as an attorney of the Atlas, he was even more rigorous and meticulous, and devoted his efforts to the publication of the Atlas. Researcher Wang Jiapeng, a Tibetan Buddhist cultural relic expert at the Palace Museum, has long been studying the Buddhist cultural relics from the accident palace and has done a good job in identifying Buddhist statues. During the editor-in-chief of the editor-in-chief, the Buddha images were strictly screened, and the textual examination and design, the overall design structure, the overall guidance of photo shooting, and the meticulous writing of general comments and textual explanations, have been eagerly pursued for many years. He is well-known at home and abroad, the new dean of Buddhism, the deputy dean of the National School of Renmin University of China, and the director of the Sino-Tibetan Buddhist Studies Center. Professor Shen Weirong has been studying abroad for nearly 20 years. Buddhism has made a spur of the Chinese and Western, and he is also the deputy editor-in-chief of the Atlas. With his broad academic vision and profound academic skill, Shi Chaojing has written a long monograph, and has made a unique insight into the formation and development of Buddhist figurative art from the blending of Buddhist, Han and Tibetan Buddhist monasteries. He fully affirmed the artistic value and academic significance of the golden bronze Buddha statues of Mr. Li Wei, and made strict decisions on the translation of the atlas, ensuring the quality and standard of the translation. It is precisely because of the exhausted efforts of many people that this atlas is a treasured Buddha, and Huitong Fahai has finally become a rare new image of the golden and bronze ancient Buddha image. Buddhist culture is an important part of Chinese civilization. After being introduced to China in the early years of the Eastern Han Dynasty, Buddhism combined with traditional Chinese ethics and religious concepts such as Confucianism and Taoism, and penetrated into various fields of Chinese society. In the great arteries of Chinese philosophy, Chinese intellectual history, Chinese cultural history, and Chinese folklore history, there has been a surge of Chinese Buddhist studies. Therefore, it is well-founded to say that Buddhist culture is an inseparable organic part of the Guoxue Building. As an important carrier of Buddhist inheritance, Buddhist statues contain extremely rich cultural connotations and historical information. The well-known Chinese and foreign Kizil Thousand Buddha Caves, Baidu Kerry Thousand Buddha Caves, Mogao Grottoes Buddhist murals, Buddhist sculptures in the temples of Yungang, Longmen, Maijishan, Bingling Temple, and the Great Wall inside and outside, The various Buddha statues in many temples in the north and south of the Yangtze River are all flashing the historical glory of the development of Buddhist culture, and have left precious and precious objects for later generations to study Buddhist culture. Buddhist statues have a broad social base in China. For more than two thousand years, various Buddha statues of different scales and textures have not only been worshipped in the temples of the morning bells and drums, but also by the people. They are also worshipped by the people on the courts, praying for the relief of the blood. Li Wei is a devout Buddhist statue collector and a devout Buddhist culture advocate. In the Bumen Temple, which is located in the north and south of the Yangtze River, inside and outside the Great Wall, and in the snowy area of ​​the Suiyuan, Li Yu and the charming Buddhist statues of the gods often have telepathy, and the Buddha's heart is gradually sublimating. For the vicissitudes of the vicissitudes of the thousand-footed cliffs and the vicissitudes of the vicissitudes of the vicissitudes of the cliffs, the sky cloud steamed Xiawei, the temples of cigarettes lingering in the millennium temple, Li Wei always seeks to worship, from which to find the feeling of being in the Buddha's earth and wonderland, the epiphany of Buddhism is quiet and transcendent Artistic conception, and often linger on, to extract the inexhaustible power of collecting Buddha images. Li Wei is not a Buddhist, but his heart is very religious. He lost his mother in childhood, his life was rough, he sought spiritual consolation, and he eliminated spiritual loneliness. He was a wish he had since childhood. Seeing the Buddha statues that have always been used to comfort the public, they could not get rid of the fate of their own catastrophe in the ten years of turmoil. Mr. Li Wei felt the indescribable sorrow, and then established the determination to protect the Buddha statue even if he lost his family. Mr. Li Wei’s collection and protection of Buddha statues came step by step from the discovery of the resources of folk Buddha statues. After decades of cold and summer, he met Buddhism sorghum, visited the collapsed Buddhist temple, and searched for the lost Buddha statue. He often swayed on the Loess Plateau, traveled to and from the Gobi snowfield, and haunted the mountain village, in the sun and rain, the wind and the night. In the difficult trek of begging, the Buddha statue was inseparable and realized the dream of Tibetan Buddhism. "Faith will move mountains to open". When Mr. Li Wei devoted his energy, energy and financial resources to collecting Buddha images, what he sincerely hoped for was to reproduce the splendid pearls of these symbols of human culture and history, to present the style of Buddhism culture, and to demonstrate the spirit of Chinese civilization. Building a socialist harmonious society to pray for good fortune. Now, the Atlas has been compiled, and the 22 beautiful bronze statues he has donated will also meet with the world at the National Museum. Mr. Li Wei’s hard work for many years has finally come true.沧海桑田, Buddha light shines. History will remember this folk Buddha who devoted his life to protecting Buddhist culture and carrying forward Chinese civilization. Shengshi Zhonghua is about to usher in the birthday of Jiazi, and the "Harmony between Han and Tibetan---the collection of gold and bronze Buddha statues" will also be available. We offer this atlas to the 60th Anniversary of the Republic and express our gratitude to all the former sages and Shi Jun who are the Atlas of Tianzhu. At this point, the meaning is still unfinished, and the little poetry feels: Half-life has traveled to the original intention, The statue of Yongle is shocked by the world. There is a report of ruthlessness and sorrow. If you want to know more about the gold and bronze Buddha image, you can go to the China Copper Sculpture Industry Network http://
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March 12, 2023