Jade carving is one of the oldest sculptures in China. Since ancient times, it has been an important handicraft for the literati. With the prosperity and development of the modern economy, people's purchasing power has also increased. Jade carving handicrafts have entered thousands of households, but at the same time, people's demand for artistic beauty will not stay at a level, and the requirements for jade carving art are also Will increase accordingly. Therefore, jade carving craftsmen should not only make efforts to determine the pros and cons of jade carving works, but also consider the important factors such as novel form, high connotation, high grade and high added value of jade carving works. The innovation of jade carving works is crucial. important. First, the art of jade carving must inherit the traditional Chinese philosophy. Innovation is of course important, but it must be clear before that the jade carving art is inseparable from traditional philosophical thinking. After thousands of years of continuous development, the jade carving culture has been deeply integrated into Chinese traditional culture and rituals, and plays a role that cannot be replaced by other arts and crafts. Throughout the Chinese jade culture, it is not difficult to find that the jade culture has been closely related to the traditional Chinese culture in the evolution of thousands of years. Chinese people have always had special feelings about jade. The traditional customs of respecting jade and jade have continued for a long time. Jade carving has shown its special influence in the political, cultural, moral and religious aspects of Chinese history. In ancient times, people worshipped totems. When using jade to make ceremonial rituals, they would engrave the totems of various ethnic tribes to express their good wishes. For example, in the Ming and Qing Dynasties, the folk jade carving craftsman's generation made the jade carving theme and expression techniques at that time diverse, and the folk poetry and painting art was merged with the jade carving works. The design theme of the jade carving works is taken from ancient Chinese philosophy and folktales. In addition to giving the viewers a visual sense of enjoyment, they can also bring them meaningful memories and even warnings. At the same time, jade was also given a special social meaning by the literati. During the Eastern Han Dynasty, Xu Shen said in his "Said Wen Jie Zi": "The beauty of stone, there are five virtues. Run Ze to warm, the side of the benevolent; the truth is out, you can know the middle, the righteous side also; its sound Shu Yang, specializing in far-sightedness, the wisdom of the side also; unrestricted and folded, the courageous side also; sharp and not sturdy, cleansing side also." "There are five virtues" is the ancients borrowing meaning, the jade has The gloss is mild, the inside and the outside are consistent, the sound is crisp, the texture is tough, and there are five qualities in the softness. Compared with the five qualities of human beings: benevolence, righteousness, wisdom, courage and cleanliness, the social attributes of jade are given. Confucius said: "The gentleman is better than the jade." The king is devoid of virtue and cannot be buried with jade. The Confucian school of mainstream Chinese culture evaluates jade as supreme. It is believed that jade has a virtue, and a gentleman has virtue. Only those noble virtues with jade can become gentlemen and reach the highest realm of thought. The virtue of the gentleman is reflected in the carving content of the jade carving, which is reflected in the theme of festive auspiciousness and respect for the monarch. Nowadays, the subject matter of jade carving creation is still full of auspiciousness and interest, profound meaning and rich cultural connotations, such as the unicorn dragon and phoenix. Therefore, in today's culturally diverse development, jade carvings still gather traditional content such as history, religion, humanities, paintings, and calligraphy in Chinese traditional culture, and become the mainstream of the subject matter. Jade carving art cannot be separated from traditional Chinese philosophy in innovation. Second, the style of jade carving art should be diversified. Both the jade carving theme and the carving technique can be used for the past and the ocean. With the advancement of science and technology, jade carving tools are also constantly innovating. While new technologies bring convenience to jade carving craftsmen, they also bring possibilities for innovation in carving techniques. The current jade carving design can boldly capture the essence of Western sculpture works in the theme and carving technique, so that the modern jade carving works add the volume and tension of Western sculpture to the exaggerated and vivid shape of Chinese traditional jade carving. In terms of subject matter, the main experience and accumulation of ancient Chinese traditional culture gave the modern jade carving sufficient nutrients, so it is also possible to add a little modern element in combination with the ancient meaning. How to "use the ancient for today" and "foreign for the Chinese"? This requires us to observe and learn more. In the case of Saitama, we must absorb the strengths of traditional Chinese painting and other traditional culture, and maintain a unique style in development. We must not blindly introduce design ideas into the blindness of foreign styles. The creation of jade carving works must be combined with the characteristics of today's times to create works that are both cultural and far-reaching. Combining Chinese classical ornamentation with modern fashion styling, it draws on the simple and rich artistic treatment of primitive jade wares, and innovates on the basis of original styling and ornamentation to create a jade carving work that combines ancient rhyme with fashion. Third, the jade carving works should be added to the unique thinking of the jade carving craftsman, and should not blindly make imitations. The value of modern jade carvings has skyrocketed, bringing jade culture into another period of prosperity, but its traditional cultural atmosphere has become increasingly weak. Modern jade carvings are only designed to disassemble, piece together and reorganize traditional culture to a certain extent, but they are far away from real innovation. Many works are just plagiarism. Whenever a work with new ideas comes out, in January, there will be a series of imitations appearing in the streets, and the new ideas will become "bad streets." Analysis of the future jade design ideas, it is not difficult to find that inheritance and evolution is still the key work in the design, designers must not only inherit the Chinese jade classic culture, carry forward the Chinese jade classic culture, but also know how to refine the technology in the design process. And innovation, we must learn to associate creation, that is, based on the ideas of others, incorporate their own new thinking, which is a form of creation that is different from plagiarism. In the history of Chinese jade carving, there are many traditional elements, and the successful examples of reference and re-creation are numerous. After all, imitations can only be imitations. Just copying other people's thinking can't reflect their own innovative ideas. If the imitation product realizes the image expression of the designer's thinking on the basis of the original, and adds its own unique jade experience, it can be very important for the refinement and precise transmission of the design concept. The popular aesthetic is constantly changing and developing. Young consumers have gradually become the market leader, and the demand for jade is becoming more diversified. On the one hand, growing up in this era of rapid economic development, modern young people are full of pride and confidence in the traditions and culture of the Chinese nation. On the other hand, young people live in an open, fast-paced society. They have very distinctive characteristics in the collection of jade carving art. They must have the value of collecting and playing, and the jade carving works reflect the long-term fashion sense. This requirement is consistent with the development direction of the inheritance and development of the contemporary jade carving industry. This requires modern jade carving craftsmen to have an in-depth understanding of traditional culture and innovative ideas that combine traditional culture with modern art. Borderless sunglasses are the most popular structure sunglasses of the year. They are assembled directly without borders, reducing the weight of sunglasses and making them lightweight and comfortable to wear. Add a sense of beauty. The lenses are colourful and colourful. It is the choice of fashion trend, frameless design, simple and generous without losing individuality. There are various colors to choose from and bring you a colorful summer. The summer is no longer dull. Free to express yourself with your nature, and express yourself bravely, and wear your tune. Rimless Sunglasses,Rose Gold Rimless Sunglasses,Reflective Rimless Sunglasses,Police Rimless Sunglasses China Guangdong Shenzhen city Omelle glasses Co., Ltd. , https://www.omlglasses.com
August 11, 2023