PRADA Prada Women's 2016 Fall Winter Collection

PRADA Prada Women's 2016 Fall Winter Collection

Photographed by Steven Meisel's Palma 2016 autumn and winter women's ad campaign, 27 top models show off in front of multiple artificial screens. This blockbuster shows Miuccia Prada's highly acclaimed series of works and takes the theme of today's cultural "copies", drawing every symbol, style, and every designer from the history of fashion. A piece of fashion history, each personal experience is integrated into the big movie. This kind of collage will use different shapes, textures, techniques and accessories such as prints, multicolor diamonds, foils, quilting, reweaving, brocade, nylon, illustration, leather, satin, and velvet. In lively artwork.

The ad blockbusters were presented in an unadorned collage style, which awakened Prada's deep integration of humanity and women's resilience. Designers portray female identities as a puzzle that is difficult to solve, a collection that overlaps and interdependent. Every woman's different body parts contain stories and experiences that belong to them and explain their love and suffering. These references gradually accumulate through time, age, and knowledge, so each woman is not only an unspeakable set of symbols, but also an index of the ego's journey. These symbols can find references in women's closets that emphasize constraints and emancipate and cling to this cliché: dresses, tights, belts, garters, bras, and high heels. At each morning's dress time, women can regroup and match their unique collections. The power of women is embedded in them.

27 models with different styles elaborated on unified information—no single face—Prada demonstrated the concept of personalization. Everyone interprets the different elements of the series in their own unique ways. The models stood casually in front of a randomly set background. These backgrounds can be freely switched, as if they were placed in an endless environment. The scenery is suddenly interrupted and the edges are clearly visible: the day and night blend, and the desert and the seascape are in the same conceptual space. When a woman kneels in the landscape of the world, she uses her own body to tell her story. In the end, the location became irrelevant and the story merged with the body itself. Woman is heaven and earth.